The Skygarden Bar at 20 Fenchurch Street (aka the Walkie-Talkie Building), London.
Archive Page 2 of 71
Yanis Varoufakis, Greek Minister for Finance, speaking at a press conference in Berlin on 5 February 2015:
“As finance minister in a government facing from day one emergency circumstances caused by a savage debt deflationary crisis, I feel that the German nation is the one nation in Europe that can understand us better than anyone else.
No-one understands better than the people of this land how a severely depressed economy, combined with a ritual national humiliation and unending hopelessness can hatch the serpent’s egg within its society.
When I return home tonight, I will find myself in a parliament in which the third-largest party is not a neo-Nazi party, it is a Nazi party.”
West Germany received debt relief in 1953, yet now deny it to the rest of Europe. The hypocrisy and economic negligence of the German government of Mrs Merkel reminds me of the British Government’s hypocrisy in the Great Depression: insisting that Australian Federal and State Governments continue to pay all interest and loans owed to British lenders, while at the same time seeking debt relief for British loans from American creditors. Every Australian economist, including no doubt the very impressive former Sydney University academic Dr Varoufakis, knows the name of Sir Otto Niemeyer, bullying representative of colonial rapacity. The unspeakable Mrs Merkel and her condescending ilk will, like Niemeyer, live long in the memory of Greeks.
Niemeyer came first in the 1906 British Civil Service entrance examination in which John Maynard Keynes came second, according to Richard Davenport-Hines’ fine new biography of Keynes.
An article from the Sydney Morning Herald of 1924, about the introduction of buffaloes to Australia in 1857, an adventure involving both a great-great-grandfather and a great-great-great-grandfather of mine. I wonder if the ship mentioned below, the Florence Street, was named after a member of the illustrious Street Family of New South Wales.
To the late Captain Peverley, of Balmain, belongs the credit of having introduced the buffalo to Northern Australia, though he did so indirectly in a measure, when the good barque the Florence Street became a total wreck on the northern coast, not very far from where Wyndham now stands.
Captain Peverley, ship master and ship owner had, when he settled in Balmain, 28 ships of various sizes and capacities; he always boasted that not one was a “coffin ship”, and that he himself would sail on them in any sea, in any weather, and he would add as climax that he would give a first-rate rope’s ending to any of his crew, who dared to complain or say otherwise. He was a true type of the ship’s master of the old windjammer days, days when Sydney Harbour was crowded with sailing craft of all kinds, the days of the middle and late ‘fifties, when the gold fever had reached its crisis after the astonishing yields from Bendigo and Ballarat.
Continue reading ‘Australian Buffaloes’
Category theory takes a bird’s eye view of mathematics. From high in the sky, details become invisible, but we can spot patterns that were impossible to detect from ground level.
The opening sentences from Tom Leinster : Basic Category Theory. Cambridge University Press. Cambridge Studies in Advanced Mathematics.
A minimalist Nativity scene, by Emilie Voirin:
Yamba Surf Club was founded in 1908. The photo shows Tommy Walker surfing at Yamba around 1911. (Photo by O. B. Notley, from Manly Life Saving Club Australian Surfing Museum.) The post title is a reference to an O. Henry story.
People who have passed on during 2014 whose life or works have influenced me:
- Amiri Baraka (LeRoi Jones) (1934- 2014), American poet
- Charles Barsotti (1933-2014), American cartoonist
- Sid Caesar (1922-2014), American comedian
- Al Feldstein (1925-2014), American artist and editor of Mad magazine
- Nadine Gordimer (1923-2014), South African writer
- Stuart Hall (1932- 2014), British cultural theorist
- Philip Seymour Hoffman (1967-2014), American actor
- Rik Mayall (1955-2014), British actor and comedian
- Tony Meale (c. 1963-2014), Australian wit
- Maximilian Schell (1930-2014), German actor
- Peter Sculthorpe (1929-2014), Australian composer
- Pete Seeger (1919-2014), American folk singer
- Horace Silver (1928-2014), American jazz pianist
- Edward Gough Whitlam (1916-2014), Australian statesman
- Robin Williams (1951-2014), American comedian and actor
Last year’s post is here.
Until this month, the best performance of the Messiah I ever heard was in 2011, an event I recorded here. I have now heard its equal.
This latest Messiah was performed on 19 December 2014 by The BBC Singers and the Norwegian Wind Ensemble, in an arrangement by Stian Aareskjold, under David Hill (conductor), with Fflur Wyn (soprano), Robin Blaze (counter-tenor), Samuel Boden (tenor) and Mark Stone (bass), in Temple Church, as part of Temple Winter Festival.
My heart sank when I first saw that the music had been arranged for wind-band, since groups of woodwinds, so often shrill and ineffectual, are not my favourite ensembles. But in fact this version turned out to be a wonderful arrangement and was realized in a thrilling performance. The secret, I think, was that the ensemble included a double bass and cello, some marvelous natural horns and three sackbuts, and, most spectacularly, saxophones. The solo for soprano sax in “O Thou That Tellest” played by Kristin Haagensen was just superb. That solo soared, as so did the saxes on “Surely He Hath Borne our Griefs and with His Stripes we are Healed”. A modern Briton, of course, cannot easily hear baroque music played by saxophones without thinking of Michael Nyman, and, just as with his great music, this was a truly sublime experience. The trombones in “He Trusted in God” were also inspired. Mr Aareskjold should be congratulated on this arrangement, and I hope it is soon recorded.
In addition, the performance rocked, and often literally. I was sitting as close to the orchestra as I could possibly get, and even had the two baroque trumpeters between me and the orchestra for the second half – Stian Aareskjold and Torgeir Haara, who had played angelically from the organ loft in the first half. So I could see the movement of choir and players as they performed, and there was a distinct bounce in some of the numbers, particularly in “His Yoke is Easy”. Perhaps the presence of saxes played by jazz musicians, who (unlike most classical musicians) move in time to their playing, led to this. Mr Aareskjold is the son of a trumpeter and the grandson of a trombone player (the reverse of my own ancestry), and brass players are often crossover musicians. The Church acoustics were, as usual here, superb.
For the “Hallelujah” Chorus, only part of the audience stood. Until this performance, I had never heard of the action of standing being construed as showing support for monarchical systems of government, and, frankly, such an interpretation is ridiculous. One stands for the “Hallelujah” because it is a tradition to do so, even if a tradition started by a Hanoverian monarch. Like Karl Marx, I believe traditions are the collected errors of past generations. But, like Morton Feldman, I’ve realized in adulthood that errors are not necessarily always to be avoided.
The concert is available to listen until mid January 2015, via BBC Radio 3.
And on the way out of the Middle Temple, in the offices of law-firm Gibson, Dunne & Crutcher in Temple Avenue, a late-working Friday evening team could be seen around a white board, making at least one observer envious of their camaraderie and collective efforts. How much fun it looked!