Archive for the 'Culture' Category

The Yogyakartan Candidate

An explanation of Bam’s aloof style and strategic cunning in terms of the idioms of traditional Javanese kingship, by Edward Fox in Aeon Magazine, here.   Fox could also have mentioned the first-term Cabinet of Rivals as another example of this idiom, absorbing one’s enemies.

An excerpt:

The Javanese have a word for this kind of bearing. They call it halus. The nearest literal equivalent in English might be ‘chivalrous’, which means not just finely mannered, but implies a complete code of noble behaviour and conduct. The American anthropologist Clifford Geertz, who wrote some of the most important studies of Javanese culture in English, defined halus in The Religion of Java (1976) as:

“Formality of bearing, restraint of expression, and bodily self-discipline … spontaneity or naturalness of gesture or speech is fitting only for those ‘not yet Javanese’ — ie, the mad, the simple-minded, and children.”

Even now, four decades after leaving Java, Obama exemplifies halus behaviour par excellence.

Halus is also the key characteristic of Javanese kingship, a tradition still followed by rulers of the modern state of Indonesia. During my period of study in Indonesia, I discovered that halus is the fundamental outward sign or proof of a ruler’s legitimacy. The tradition is described in ancient Javanese literature and in studies by modern anthropologists. The spirit of the halus ruler must burn with a constant flame, that is without (any outward) turbulence. In his classic essay, ‘The Idea of Power in Javanese Culture’ (1990), the Indonesian scholar Benedict Anderson describes the ruler’s halus as:

“The quality of not being disturbed, spotted, uneven, or discoloured. Smoothness of spirit means self-control, smoothness of appearance means beauty and elegance, smoothness of behaviour means politeness and sensitivity. Conversely, the antithetical quality of being kasar means lack of control, irregularity, imbalance, disharmony, ugliness, coarseness, and impurity.”

One can see the clear distinction between Obama’s ostensibly aloof style of political negotiation in contrast to the aggressive, backslapping, physically overbearing political style of a president such as Lyndon Johnson.

Traditionally, the Javanese ruler triumphs over his adversary without even appearing to exert himself. His adversary must have been defeated already, as a consequence of the ruler’s total command over natural and human forces. This is a common theme in traditional Javanese drama, where the halus hero effortlessly triumphs over his kasar (literally, unrefined or uncivilised) enemy. ‘In the traditional battle scenes,’ Anderson notes:

“The contrast between the two becomes strikingly apparent in the slow, smooth, impassive and elegant movements of the satria [hero], who scarcely stirs from his place, and the acrobatic leaps, somersaults, shrieks, taunts, lunges, and rapid sallies of his demonic opponent. The clash is especially well-symbolised at the moment when the satria [hero] stands perfectly still, eyes downcast, apparently defenceless, while his demonic adversary repeatedly strikes at him with dagger, club, or sword — but to no avail. The concentrated power of the satria [hero] makes him invulnerable.”

Even to seem to exert himself is vulgar, yet he wins. This style of confrontation echoes that first famous live TV debate in the election of 2012 between Obama and Romney, in which Obama seemed passive, with eyes downcast, apparently defenceless (some alleged ‘broken’) in the face of his enemy, only to triumph in later debates and in the election itself.

Like a Javanese king, Obama has never taken on a political fight that he has not, arguably, already won

But such a disposition is not just external posturing. Halus in a Javanese ruler is the outward sign of a visible inner harmony which gathers and concentrates power in him personally. In the West, we might call this charisma. Crucially, in the Javanese idea of kingship, the ruler does not conquer opposing political forces, but absorbs them all under himself. In the words of Anderson again, the Javanese ruler has ‘the ability to contain opposites and to absorb his adversaries’. The goal is a unity of power that spreads throughout the kingdom. To allow a multiplicity of contending forces in the kingdom is a sign of weakness. Power is achieved through spiritual discipline — yoga-like and ascetic practices. The ruler seeks nothing for himself; if he acquires wealth, it is a by-product of power. To actively seek wealth is a spiritual weakness, as is selfishness or any other personal motive other than the good of the kingdom.”

 




Artists concat

Here is a listing of visual artists whose work I like.    Minimalists and geometric abstractionists are over-represented, relative to their population in the world.    In due course, I will add posts about each of them.

  •  Carel Fabritius (1622-1654)
  • Tao Chi (1641-1720)
  • Jin Nong (1687-c.1763)
  • Richard Wilson (1714-1782)
  • Thomas Jones (1742-1803)
  • Katsushika Hokusai (1760–1849)
  • Caspar David Friedrich (1774–1840)
  • John Sell Cotman (1782-1842)
  • Utagawa Hiroshige (1797–1858)
  • Thomas Cole (1801-1848)
  • Richard Parkes Bonington (1802–1828)
  • Thomas Chambers (1808-1869)
  • Thomas Moran (1837-1926)
  • Robert Delaunay (1885-1941)
  • Sophie Taeuber-Arp (1889-1943)
  • Ludwig Hirschfeld-Mack (1893-1965)
  • László Moholy-Nagy (1895-1946)
  • Wilhelmina Barns-Graham (1912–2004)
  • Agnes Martin (1912-2004)
  • Jackson Pollock (1912–1956)
  • Gunther Gerzso (1915-2000)
  • Michael Kidner (1917-2009)
  • Guanzhong Wu (1919–2010)
  • Carlos Cruz-Diez (1923- )
  • Fred Williams (1927-1982)
  • Donald Judd (1928-1994)
  • Sol LeWitt (1928-2007)
  • Bridget Riley (1931- )
  • Norval Morrisseau (1932–2007)
  • Dan Flavin (1933-1996)
  • Jean-Pierre Bertrand (1937- )
  • Hélio Oiticica (1937–1980)
  • Prince of Wales Midpul (c.1937-2002)
  • Peter Struycken (1939- )
  • Alighiero e Boetti (1940-1994)
  • Cildo Meireles (1948- )
  • Jeremy Annear (1949- )
  • Louise van Terheijden (1954- )
  • Doreen Reid Nakamarra (1955-2009)
  • Peter Doig (1959- )
  • Katie Allen
  • Els van ‘t Klooster (1985- )



A golden age

Borgen Pressemøde

We are currently living in a Golden Age of television drama – well-written screenplays, innovative narrative techniques, significant themes, gripping stories, mostly true-to-life representations, all superbly-acted, and realized with attention to detail and high production values.  See, for instance:

  • 24 (although many implausible plots, the office politics is true-to-life)
  • Band of Brothers
  • Borgen
  • Breaking Bad
  • The Bridge
  • Covert Affairs
  • Damages
  • Deadwood
  • Generation Kill
  • The Good Wife
  • Homeland
  • The Hour
  • The Killing
  • Mad Men
  • The Newsroom
  • Political Animals
  • Prisoners of War (Hatufim)
  • The Sopranos
  • Spiral (Engrenages)
  • Spooks
  • Sports Night
  • Studio 60 on the Sunset Strip
  • Suits
  • The Unit
  • The West Wing
  • The Wire

Like the golden age of Elizabethan and Jacobean theatre, one has to wonder:   Why here? Why now?




Irishness and Jewishness

A friend’s thoughtful meditation on the different natures of Irishness and Jewishness:

Irishness, at least in its North London manifestation, was clearly a much more inclusive category than I had been prepared for.  There were quite a few Black Irish people, and one or two Chinese ones.  There were a couple of others with what looked to me like Jewish faces, though they might equally have been Greek.

I don’t know how everyone in the room felt about this; but I do know that there was no outward sign that anybody had any feelings about it at all. Then and subsequently, I have never come across any handwringing about who the traditional music activities ought to be for, let alone ‘who is an Irish person?’ The activity was Irish in content, and that was enough.  Other, non-Irish people’s participation did not detract from its Irishness or threaten its existence or value.

In our community, interest by others in our culture is rarely taken at face value.  Although discussions about Jewish culture are often shot through with barely-veiled assumptions about cultural superiority, we are usually suspicious about anyone else wanting to partake.  Perhaps it’s because we are afraid that it won’t stand up to much scrutiny from anyone without a sentimental attachment to it; or maybe we are worried that they are only showing an interest so that they can insinuate themselves into our superior institutions. Why else would non-Jews be trying to sneak into our schools?

Either way, there is an all-pervasive obsession with maintaining and policing a boundary, with determining who is and isn’t entitled to come in.  Look at the selection processes associated with admission to Jewish schools, or the application forms for joining a synagogue.  No-one at Meitheal Cheoil ever asked me for my parents’ marriage certificate.

I don’t want to imply that Irish culture is inherently inclusive and anti-racist.  I’m sure that someone else could find plenty of counter-examples, together with joyous examples of Jewish inclusiveness and syncretism.  But I don’t think that the Jewish obsession with boundaries and separation, which make up an enormous proportion of our law and our lore, are merely accidental add-ons to our culture either. In biblical and talmudic Judaism, the principle of distinction and separation, and the importance of keeping things from mixing, is always imbued with a moral and theological dimension.

We are forbidden to mix meat and milk; fish and meat on the same plate; wool and linen in the same garment; and forbidden to yoke two kinds of animals to the same plough.  God does not like it when we mix things, stuff, or ourselves.  It’s worth remembering this next time you get into one of those discussions about the essential ethical core of Judaism.

 




Time, gentlemen, please

Harper Charley SerengetiSpaghetti

Much discussion again over at Language Log over a claim of the form “Language L has no word for concept C”.  This time, it was the claim by Wade Davis (whose strange use of past tense indicates he has forgotten or is unaware that many Australian Aboriginal languages are still in use) that:

In not one of the hundreds of Aboriginal dialects and languages was there a word for time.”

The rebuttal of this claim by Mark Liberman was incisive and decisive.   Davis was using this claim to support a more general argument:  that traditional Australian Aboriginal cultures had different notions of and metaphors for time to those we mostly have in the modern Western world.

We in the contemporary educated West typically use a spatial metaphor for time, where the past is in one abstract place, the present in another non-overlapping abstract place, and the future in yet a third non-overlapping abstract place.    In this construal of time, causal influence travels in one direction only:  from the past to the present, and from the present to the future.   Nothing in either the present  or the future may influence the past, which is fixed and unchangeable.   Events in the future may perhaps be considered to influence the present, depending on how much fluidity we allow the present to have.  However, most of us would argue that it is not events in the future that influence events in the present, but our present perceptions of possible future events that influence events and actions in the present.

Modern Western Europeans typically think of the place that represents the past as being behind them, and the future ahead.   People raised in Asian cultures often think of the abstract place that is the past as being below them (or above them), and the future above (or below).   But all consider these abstract places to be non-overlapping, and even non-contiguous.

Traditional Australian Aboriginal cultures, as Davis argues, construe time very differently, and influences may flow in all directions.   A better spatial metaphor for Aboriginal notions of time would be to consider a modern city, where there are many different types of transport and communications, each viewable as a network:  rivers, canals, roads, bus-only road corridors, railways, underground rail tunnels, underground sewage or water drains, cycleways, footpaths, air-transport corridors, electricity networks, fixed-link telecommunications networks, wireless telecommunications networks, etc.    A map of each of these networks could be created (and usually are) for specific audiences.  A map of the city itself could then be formed from combining these separate maps, overlaid upon one another as layers in a stack.   Each layer describes a separate aspect of reality, but the reality of the actual entire city is complex and more than merely the sum of these parts.  Events or perceptions in one layer may influence events or perceptions in other layers, without any limitations on the directions of causality between layers.

Traditional Aboriginal notions of time are similar, with pasts, the present and futures all being construed as separate layers stacked over the same geographic space – in this case actual geographic country, not an abstract spatial representation of time.  Each generation of people who have lived, or who will live, in the specific region (“country” in modern Aboriginal English) will have created a layer in the stack.   Influence travels between the different layers in any and all directions, so events in the distant past or the distant future may influence events in the present, and events in the present may influence events in the past and the future.

Many religions – for example, Roman Catholicism, Hinduism, and African cosmologies – allow for such multi-directional causal influences via a non-material realm of saints or spirits, usually the souls of the dead, who may have power to guide the actions of the living in the light of the spirits’ better knowledge of the future.   Causal influence can thus travel, via such spirit influences, from future to present.  Similarly, the view of Quantum Mechanics of space-time as a single 4-dimensional manifold allows for influences across the dimension of time as well as those of space.

I am reminded of an experience I once witnessed where the only sensible explanation of a colleague’s passionate enthusiasm for a particular future course of action was his foreknowledge of the specific details of the outcome of that course of action, details he could not have known at the time,  prior to the course of action being executed, of his enthusiasm.  In other words, only a causal influence from future to present provided a sensible explanation for this enthusiasm, and this explanation only became evident as the future turned into the present, and the details of the outcome became known.  Until that point, his passionate enthusiasm seemed to be a form of madness.    Contemporary Western cosmology does not provide such explanations, but many other cultures do.

Contemporary westerners, particularly those trained in western science, have a hard time understanding such alternative cosmologies, in my experience.  I have posted before about the difficulties most westerners have, for instance,  in understanding Taoist/Zen notions of synchronicity of events, which westerners typically mis-construe as random chance.




Public appearances

I have argued before that it is an abuse of power for major newspapers to run obituaries of obscure back-office staff, simply because they can.   This is an abuse since a newspaper is a public organization, playing a very public role in public life,  not some private family newsletter shared, like samizdat, between close relatives over kitchen coffee.

The Guardian now runs, as the cover story in its Saturday Review section, extracts from the piano-learning diary of its Editor, Alan Rusbridger.    Perhaps there is nothing actually unethical about a major newspaper running long cover stories about its Editor’s private hobbies, and promoting his new book.  But one has to ask:   Is The Guardian now the private family newsletter of its Editor?




Coates on Bam

Ta-Nehisi Coates has written a superb and insightful essay on black and white perceptions of Barack Obama as President and as black American in a country that experienced 175 years of white affirmative action.  The common phrase describing what black Americans need to be for success in white society is:  twice as good and half as black.

 




Piano on the Bay

Another colourful outdoor piano, this one by Yunior Marino, spotted at 595 Bay Street at Dundas Street, Toronto.   This afternoon some great stride piano was being played on it by an elderly gentleman.

 




Piano in the park

The City of London Festival’s piano-planting project in the Victoria Embankment Gardens, June 2012:




The value of an education

In a letter to Rupert Hart-Davies on 29 November 1956 George Lyttelton included this statement from William Johnson Cory (1823-1892, Master of Eton 1845-1872) on education:

At school you are engaged not so much in acquiring knowledge as making mental efforts under criticism. A certain amount of knowledge, you can indeed with average faculties acquire so as to retain; nor need you regret the hours you spent on much that is forgotten, for the shadow of lost knowledge at least protects you from many illusions.  But you go to a great school not so much for knowledge as for arts and habits; for the habit of attention, for the art of expression, for the art of assuming at a moment’s notice a new intellectual position, for the art of entering quickly into another person’s thoughts, for the habit of submitting to censure and refutation, for the art of indicating assent or dissent in graduated terms, for the habit of regarding minute points of accuracy, for the art of working out what is possible in a given time, for taste, for discrimination, for mental courage, and for mental soberness.”

Reference:

Rupert Hart-Davis (Editor) [1978-79]: The Lyttelton Hart-Davis Letters:  Correspondence of George Lyttelton and Rupert Hart-Davis, 1955-1962. London: John Murray.